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Tatiana Nikolaevna : ウィキペディア英語版
Grand Duchess Tatiana Nikolaevna of Russia

Grand Duchess Tatiana Nikolaevna of Russia (Tatiana Nikolaevna Romanova) (In Russian Великая Княжна Татьяна Николаевна) (29 May (O.S.)/10 June (11th after 1900) (N.S.) 1897 – 17 July 1918) (in 1900 and later, Tatiana's birthday was celebrated on 11 June new style) was the second daughter of Tsar Nicholas II, the last monarch of Russia, and of Tsarina Alexandra. She was born at the Peterhof, Saint Petersburg.
She was better known than her three sisters during her lifetime and headed Red Cross committees during World War I. Like her older sister Grand Duchess Olga Nikolaevna of Russia, she nursed wounded soldiers in a military hospital from 1914 to 1917, until the family was arrested following the first Russian Revolution of 1917.
Her murder by revolutionaries on 17 July 1918 resulted in her being named as a passion bearer by the Russian Orthodox Church. She was a younger sister of Grand Duchess Olga Nikolaevna of Russia and an elder sister of Grand Duchess Maria Nikolaevna of Russia, Grand Duchess Anastasia Nikolaevna of Russia and Tsarevich Alexei of Russia. All sisters were falsely rumored to have survived the assassination and dozens of imposters claimed to be surviving Romanovs. Author Michael Occleshaw speculated that a woman named Larissa Tudor might have been Tatiana; however, all of the Romanovs, including Olga, Tatiana, Maria and Anastasia, were murdered by the Bolshevik assassination squad.
==Early life and characteristics==
Grand Duchess Tatiana's siblings were Grand Duchesses Olga, Maria, Anastasia, and Tsarevich Alexei of Russia. All of the children were close to one another and to their parents up until the end of their lives.
Tatiana was described as tall and slender, with dark auburn hair and dark blue-gray eyes, fine, chiseled features, and a refined, elegant bearing befitting the daughter of an Emperor. She was considered the most beautiful of the four grand duchesses by many courtiers.〔Massie, Robert K. ''Nicholas and Alexandra,'' 1967, p. 133.〕〔Dehn, Lili, 1922. "The Real Tsaritsa", ISBN 5-300-02285-3〕 Of all her sisters, Tatiana most closely resembled their mother.
Tatiana's title is most precisely translated as "Grand Princess," meaning that Tatiana, as an "imperial highness", was higher in rank than other princesses in Europe, who were "royal highnesses." "Grand Duchess" became the most widely used translation of the title into English from Russian.〔Zeepvat, Charlotte, The Camera and the Tsars: A Romanov Family Album, Sutton Publishing, 2004, xiv〕 However, her friends, family and the household servants generally called her by her first name and patronym, Tatiana Nikolaevna〔Massie, Robert, ''Nicholas and Alexandra'', 1967, p. 135〕 or by the Russian nicknames "Tanya," "Tatya," "Tatianochka," or "Tanushka."〔Kurth, p. 23〕〔Gregory P. Tschebotarioff, ''Russia: My Native Land: A U.S. engineer reminisces and looks at the present,'' McGraw-Hill Book Company, 1964, p. 193〕
Like the other Romanov children, Tatiana was raised with some austerity. She and her sisters slept on camp beds without pillows, took cold baths in the morning,〔Massie, p. 132〕 and were expected to keep themselves occupied with embroidery or knitting projects if they had a spare moment. Their work was given as gifts or sold at charity bazaars.〔Zeepvat, Charlotte, The Camera and the Tsars: A Romanov Family Album, Sutton Publishing, 2004, p. 153〕 According to one story, Tatiana, accustomed to being addressed only by her name and patronymic, was so disconcerted when she was addressed as "Your Imperial Highness" by lady-in-waiting Baroness Sophie Buxhoeveden when she was heading a committee meeting that she kicked the woman under the table and hissed "Are you crazy to speak to me like that?"〔
Tatiana and her older sister, Olga, were known in the household as "The Big Pair."〔 According to a 29 May 1897 diary entry written by her father's distant cousin, Grand Duke Konstantin Konstantinovich of Russia, she was given the name "Tatiana" as an homage to the heroine in Alexander Pushkin's novel in verse ''Eugene Onegin''. Her father liked the idea of having daughters named Olga and Tatiana, like the sisters in the famous poem.〔Maylunas, Andrei, and Mironenko, Sergei, editors; Galy, Darya, translator, ''A Lifelong Passion: Nicholas and Alexandra: Their Own Story,'' 1997, p. 163〕 Like their two younger sisters, the two older girls shared a bedroom and were very close to one another from early childhood. In the spring of 1901, Olga had typhoid fever and was confined to the nursery for several weeks away from her younger sisters. When she began to recover, Tatiana was permitted to see her older sister for five minutes but didn't recognize her. When her governess, Margaretta Eagar, told her after the visit that the sickly child she had been conversing so gently with was Olga, four-year-old Tatiana began to cry bitterly and protested that the pale, thin child couldn't be her adored older sister. Eagar had difficulty persuading Tatiana that Olga would recover. French tutor Pierre Gilliard wrote that the two sisters were "passionately devoted to one another."〔Gilliard, Pierre (1970). "Thirteen Years at the Russian Court", Ayer Company Publishers Incorporated, pgs. 74–76, ISBN 0-405-03029-0〕
Tatiana was practical and had a natural talent for leadership.〔 Her sisters gave her the nickname "The Governess" and sent her as their group representative when they wanted their parents to grant a favor. Though she was eighteen months Tatiana's senior, Olga had no objection when Tatiana decided to take charge of a situation.〔 She was also closer to her mother than any of her sisters and was considered by many who knew her to be the Tsarina's favorite daughter.〔 Tatiana was the conduit of all her mother's decisions.〔Edvard Radzinsky"The Last Tsar",p.112〕 "It was not that her sisters loved their mother any less," recalled her French tutor Pierre Gilliard, "but Tatiana knew how to surround her with unwearying attentions and never gave way to her own capricious impulses."〔Gilliard, Pierre (1970), "Thirteen Years at the Russian Court", pgs. 74 – 76〕 Alexandra wrote Nicholas on 13 March 1916 that Tatiana was the only one of their four daughters who "grasped it" when she explained her way of looking at things.〔Maylunas and Mironenko, p. 460〕
Gilliard wrote that Tatiana was reserved and "well balanced" but less open and spontaneous than Olga. She was also less talented than Olga, but worked harder and was more dedicated to seeing projects through to completion than her elder sister.〔 Colonel Eugene Kobylinsky, the family's guard at Tsarskoye Selo and Tobolsk, felt Tatiana "had no liking for art. Maybe it would have been better for her had she been a man."〔Greg King and Penny Wilson, The Fate of the Romanovs, John Wiley and Sons, Inc., 2003, p. 48〕 Others felt Tatiana's artistic talents were better expressed in handiwork and in her talent for choosing attractive fashions and creating elegant hair styles. Her mother's friend Anna Vyrubova later wrote that Tatiana had a great talent for making clothing, embroidery and crochet and that she dressed her mother's long hair as well as any professional hair stylist.〔

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